Design Democracy 2026 — Hyderabad, 18 to 20 September — is the first time the archive shows a body of work rather than a single specimen. Four pieces travel together: Exochronos and Xeno Arm Chair carry the vertebral language in nickel-silver and brass, Chronos Chair holds the cast vein between its charred oak volumes, and Xenochronos Table introduces the studio's first printed composite work.
The four disagree with each other on purpose. Two are grown from a repeated unit, one is a single continuous pour, and one abandons casting entirely for additive growth. What they share is the position the archive keeps restating: form is the residue of constraint, and every material is allowed its own argument.
A collection is not four objects that match. It is four arguments that survive being in the same room.
Xenochronos Table is shown in development: its holographic finish is still in sampling, and its entry will be revised when the surface is fixed. The archive presents work at the stage it has actually reached, exhibition or not.